Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Duccio di Buoninsegna
St Magdalen

ID: 52074

Duccio di Buoninsegna St Magdalen
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Duccio di Buoninsegna St Magdalen


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Duccio di Buoninsegna

1255-1318 Italian Duccio di Buoninsegna Locations Italian painter. He was one of the most important painters of the 14th century and like his slightly younger contemporary, Giotto, was a major influence on the course of Italian painting. An innovator, he introduced into Sienese painting new altarpiece designs, a dramatic use of landscape, expressive emotional relationships, extremely complex spatial structures and a subtle interplay of colour. His most important and revolutionary work, the Maeste for Siena Cathedral, was never matched during the 14th century, if at all, and his influence lasted well into the 15th century.  Related Paintings of Duccio di Buoninsegna :. | Temptation on the Mount | Madonna and Child Enthroned with Six Angels | Crevole Madonna (detail) sdg | Detail from Maesta | judaskyssen ocb bon pa oljeberget |
Related Artists:
August Allebe
painted Young woman in 1863
Johann Heinrich Hintze
painted Berlin, Altes Museum von der Schlossfreiheit aus in 1832
Nicholas Hilliard
1547-1619 British Nicholas Hilliard Galleries Nicholas Hilliard (c. 1547?CJanuary 7, 1619) was an English goldsmith and limner best known for his portrait miniatures of members of the courts of Elizabeth I and James I of England. He mostly painted small oval miniatures, but also some larger cabinet miniatures, up to about ten inches tall, and at least the two famous half-length panel portraits of Elizabeth. He enjoyed continuing success as an artist, and continuing financial troubles, for forty-five years, and his paintings still exemplify the visual image of Elizabethan England, very different from that of most of Europe in the late sixteenth century. Technically he was very conservative by European standards, but his paintings are superbly executed and have a freshness and charm that has ensured his continuing reputation as "the central artistic figure of the Elizabethan age, the only English painter whose work reflects, in its delicate microcosm, the world of Shakespeare's earlier plays.






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